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CHHAU
KATHAK

U SHRINIVAS
Exponent of Carnatic Classical - Mandolin

KATHAKALI
KOODIYATTAM
KUCHIPUDI
MANIPURI
MODERN
MOHINIATTAM
ODISSI

www.artindia.net is privileged to present this page on MANDOLIN SHRINIVAS as part of its series on outstanding artists of India.

SATTRIYA
OTHERS
CARNATIC MUSIC U Shrinivas

Shrinivas was born in Palakol in West Godavari district in Andhra Pradesh on February 28, 1969. As a very young boy Shrinivas was a normal child in school except that he seemed to have an ear for music. Then one day, when he was only six years old, his parents came home to find him playing on his father's mandolin. Inspired by the boy's interest in music, Satyanarayana taught his son what little music he knew, and Shrinivas began playing Carnatic music on the mandolin.

Subbaraju, a classically trained musician and a disciple of the famous musical stalwart Chembai Vaidyanatha Bhagavathar, who had taught music to Shrinivas' father sensed the young boy's musical aptitude and decided to teach him classical music. He had no experience on the mandolin, so he would sing Carnatic music which Shrinivas would then play on the mandolin. He also learned Carnatic music from Shri Vasu Rao. In this way the young musician developed his own style.

Yes, indeed a star was born....

Following public recognition and acceptance in 1983, the next years of this wonder boy were spent in touring the world extensively, enchanting his audience with the youthful vigour and expertise that are his hallmarks. His concerts were highly acclaimed and he was showered with many prestigious awards.

Over the years his performing perambulations and resulting public adulation afforded him no time for formal schooling. Shrinivas has been principally educated through private coaching. He remains essentially the shy small-town boy with an urbane smile and a magnificent obsession - his mandolin. In every concert Shrinivas earned applauses minute after minute with his brilliant flashes. There was depth and weight in the boy's delineation of 'ragaas', with the Carnatic traditional flavour all the way in every note and phrase.

So much so that it was popularly felt... "If music is God's gift to man, U.Shrinivas is God's gift to music"

A Maestro means one who combines unique musicianship and immense virtuosity. Master U.Shrinivas has proved that he fulfils this to the hilt. A rather inconspicuous member of the western orchestra, Shrinivas has revived and raised the mandolin, an unknown instrument and given it a respectable status in classical music. His music acumen has assumed many dimensions. He glides over the gamut with ease traversing 4 octaves with subtle deflections and suave certainty. Every phrase, every design falls into place in the octaval build up of the raga. He can evolve and execute the most intricate fraction-ridden swara combinations that would keep any accompanist on edge.

A Maestro means one who combines unique musicianship and immense virtuosity. Master U.Shrinivas has proved that he fulfils this to the hilt. A rather inconspicuous member of the western orchestra, Shrinivas has revived and raised the mandolin, an unknown instrument and given it a respectable status in classical music. His music acumen has assumed many dimensions. He glides over the gamut with ease traversing 4 octaves with subtle deflections and suave certainty. Every phrase, every design falls into place in the octaval build up of the raga. He can evolve and execute the most intricate fraction-ridden swara combinations that would keep any accompanist on edge.

Shrinivas has grown into a colossus with only sky as the limit. " The magnificent music that emanates from the mandolin of young Shrinivas has the freshness and spontaneity of a mountain brook. The kalpanaswaras are like cascading waterfalls and the alaps a serene, majestic river flowing through the plains. His fingers caress and cajole original and remarkable proyogas of Carnatic music from this western instrument"

Nobody in recent times has achieved charisma in as quick a time as Shrinivas has done. He is a musical phenomenon to whom perfection of tone and execution come as spontaneously as the free and unfettered flow of his ideas.

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